Monday, October 7 2013
Classes offer firsthand experience of the entire pottery-making cycle. Beginning emphasis is placed on working with one of the fifteen potter's wheels. Beginning as well as advanced students are welcome. Sets of eight week classes are offered Tuesday or Thursday evening 6 to 9 p.m., year-round. Sign up now to reserve your place.
Call or go to the website for more information. 860-528-6090, www.greenleafpottery.net
This exhibit of rich mixed media nature based work, focuses on themes of memory, loss and the passage of time. Trees serve as a metaphor for the cycle of life; symbols of dormancy, growth, strength and renewal.
The themes for this exhibit revolve around domesticity, including topics such as identity, sexuality, gender and care giving. The tactile domestic inspired sculptures map the artist’s emotional and physical space, using a monotonous process in which she connects her internal and external landscapes.
Richard Heys Exhibit " What's in there? Exploring the Beauty and Energy within trees through Woodturning
The UConn Torrington ARTS Project presents an exhibit of Richard Heys' work. "What's in there? Exploring the beauty and energy within trees through woodturning." This exhibit explores the creative work and process of Richard Heys, a fine wood turner whose beautifully turned and sculpted works are accompanied by photographs that chronicle the making of two of his pieces on view in the Whitson Gallery. The exhibit features decorative and utilitarian wooden bowls, vases, lidded boxes and sculptural objects. The exhibition runs from September 16th through November 8th at the campus' Brick Wall Space Gallery and Whitson Gallery. Richard Heys will give an artist's talk in the Whitson Gallery on October 10th at 7pm.
In celebration of the relaunching of the last surviving wooden whaleship, Lyman Allyn presents Greasy Luck! The Whaling World of the Charles W. Morgan.
The exhibition, which runs from September 21 through June 8, 2014, will look at how whaling—its myths and reality, risk and reward—left its mark on Connecticut and American identity.
In the 1800s, friends and family gathered on the docks to wish “greasy luck” for a successful voyage to departing whaleships.
To most people, whales were mysterious creatures. Yet whaling was big business.
The thousands of barrels of oil the whalers brought home made ports like New London and Mystic some of the wealthiest places in the young nation, supporting a wide array of dockside occupations.
Over the course of ten days, New York-based artist Alex Schweder will participate in the cultural life of the Glass House campus while occupying a mobile living unit temporarily situated alongside the Brick House.
Speculating that architecture is enacted as well as built, Rehearsal Space comprises a portable accommodation (combining a van, a scissor lift, and an inflatable room) that anticipates the Glass House’s potential artist residency program.
he Glass House is pleased to announce its first site-specific exhibition: SNAP! by E.V. Day. Conceived for the building known as Da Monsta - designed by Philip Johnson in 1995 as a visitor center and now a gallery - SNAP! interprets the pavilion's peculiar geometry and atmosphere both inside and out. Day has roped the exterior of Da Monsta with massive climbing webs and populated the interior with an ensemble of recent sculpture that tease out the noir qualities of Johnson's late work.
Stetson Library, 200 Dixwell Ave., New Haven
The young violin, viola & bass students of Mr. Colin Benn share their talents with the community in an intimate studio recital, followed by a reception.
The Eastern Connecticut Symphony concert series begins the New Year on Saturday, January 11, 2014, at 8 PM at the