Monday, November 26 2012

Format: 2014/04/17

Monday, November 26 2012

Pueblo Pottery; Stories in Clay Exhibit

In the Rio Grande River Valley of central New Mexico and eastern Arizona, the Pueblos, a people spread over 19 communities, continue to practice their ancient art of pottery-making.  Descendents of the Anasazi, the Pueblo People, still use the traditional coiling methods and decorative patterns that have distinguished their work for centuries..

This exhibit compares and contrasts the unique style of each Pueblo community and highlights individual artists who have shaped this timeless craft.

 The museum is open Monday through Saturday from 10:00am - 5:00pm* and Sunday 12:00pm to 5:00pm *      *Last admission 4:30pm

 

 

Exhibit: Cecilia Moy Fradet: “Dreams of Devotion and Delight”

A new series of work exploring the inner landscape of the artists’ dreams, blending the commercial with the spiritual.  Delighting in the pop culture of Mickey Mouse, the material expression of joy and all things possible, the artist melds Mickey and Buddha into one sacred Mandela, exploring the boundaries between reality and perception.

GALLERY HOURS: Wednesday – Saturday: 12 p.m. – 5 p.m.; Sunday: 1 p.m. – 5 p.m.

November 11th through December 20th, 2012

 

Exhibit: Susan White: “Picture Perfect”

The 50s are often portrayed as the ‘perfect decade’ of American History.  In this new exhibit, the artist reflects the images of this era with oversized graphite drawings of black and white photographs of a ‘picture perfect’ 1950’s family.

GALLERY HOURS: Wednesday – Saturday: 12 p.m. – 5 p.m.; Sunday: 1 – 5 p.m.

 

Exhibit: Guild Group Show: “Important Incidentals”

Featuring photographic works by Miggs Burroughs, Leigh Leibel, Jeremy Saladyga, Alan Shulik, Marjorie Wolfe and Torrance York.

GALLERY HOURS: Wednesday – Saturday: 12 p.m. – 5 p.m.; Sunday: 1 – 5 p.m.

 

 

Historical Exhibit: “Reuben Nakian: Eight Decades of Creation”

Showcasing his small sculptures and works on paper, Reuben Nakian is a major figure in 20th Century art.

GALLERY HOURS: Wednesday – Saturday: 12 p.m. – 5 pm; Sunday: 1 – 5 p.m.

 

A Persistent Passion: The Art of Lora Eberly Ballou : 1870- 1976 Places in a One Hundred and Six Year Life

 A solo exhibition introducing the art and celebrating the life of Lora Eberly Ballou, 1870-1976. Featuring a collection of over 30 floral arrangements and landscape oil paintings; an assemblage of personal effects; and a historical timeline documenting her 106 year life.

Old Town Hall Museum, 175 Atlantic Street, Stamford, CT. September 27, 2012 – January 31, 2013. VIP Opening night reception, rsvp required: 6 p.m. – 8 p.m. and Public reception follows immediately from 7 p.m. – 9 p.m. Gallery hours: Wed, Thurs, Fri, 12 p.m. - 6 p.m. Check website for weekend hours, guided tours, and art lectures.

www.LoraBallou.com


 

Lora Eberly Ballou was born in 1870. Queen Victoria was halfway through her reign, and Lora’s parents were discussing the assassination of President Lincoln and the Civil War.  Ulysses S. Grant was President of the United States, women could not vote and the horse and buggy was the family car.  By the time of her death in October of 1976, Ballou had witnessed: the Spanish-American War; World Wars I and II; the Korean and Vietnam conflicts; the inventions of the telephone, light bulb, and plastics; women gaining the right to vote and access to equal pay; minorities achieving civil rights and in transportation the mass producing of automobiles, commercial airlines and a spaceship landing men on the moon. 

 

"She was a women who was, at one and the same time, both of her time and ahead of her time; on the one hand, comfortable with her "traditional" life but always creating room for her "aspirational" life", writes Sophia Gevas in her essay, A Persistent Passion: The Art of Eberly Ballou, 1870-1976. 

 

Lora created hundreds of paintings in her life time when it was difficult for any woman to pursue a passion for her painting, and as the world dramatically changed around her, she spent much of her 106 years doing the thing she most loved-creating images of her surroundings on canvas.

 

 Lora gave many of her paintings away to friends, hospitals and museums. Over 30 paintings are still in the possession of her grandson, Stamford resident, Bob Phillips who has, along with his wife, Pat, generously sponsored the four month exhibit that will open on September 27th. “The genesis for this exhibition came while attending the celebration of Governor-elect Malloy at the restored Old Town Hall. My wife Pat commented on its appropriateness as an art gallery and the benefit to Stamford Downtown if it became an exhibition hall. That night Lora Eberly Ballou-artist materialized as we reevaluated her paintings for a public viewing”.

 

 

 

 

 

Sandy Labriola, owner of Labriola Frame and Art Gallery beautifully restored the paintings that will be on display along with an assemblage of personal effects and the historical timeline, “Places In a One Hundred Six Year Life”. The timeline, researched by co curator, Valerie Cooper, incorporates important historical developments, political, social and scientific contributions along with the evolution of women’s rights and accomplishments that occurred during the life of Lora Ballou and is the basis for the creation of a teachers professional workshop and partnership with the Stamford Public School System that will allow tours for middle and high school students. The Stamford Garden Club will also offer tours. Information on scheduled tours, lectures and workshops and also weekend hours for the duration of the exhibit can be found at 

 

www.LoraBallou.com or call Valerie Cooper at 203-977-8203.

PERSISTENT PASSION: The Art of Lora Eberly Ballou is sponsored by Robert M. and Patricia C. Phillips and supported by the City of Stamford, Michael A. Pavia, Mayor and Old Town Hall Redevelopment Agency; co curated by Valerie Cooper, Art Consultant and Appraiser and Lina Morielli, Artist/Arts Advocate. Exhibit catalogue essay by Sophia Gevas. Art Restoration by Labriola Frame and Art Gallery, graphics by Connacher Design and Marcel Biro Design.

 

White

Kehler Liddell Gallery begins the holiday season with a group show inspired by one word, WHITE. Each painter, sculptor, print maker and photographer began somewhere with white and in the end created something with a more memorable and melodious voice than one would ever expect of white.

 

 

Franklin Street Works celebrates its one-year with the original exhibition 'Working Alternatives'

Franklin Street Works presents the original exhibition Working Alternatives: Breaking Bread, Art Broadcasting, and Collective Action, on view from October 27, 2012 - January 13, 2013. The exhibition looks at three threads of alternative art space histories and examines how engaged, inclusive strategies are still being used to break down perceived barriers between contemporary art and its audiences. The themes covered in Working Alternatives are conviviality and food, artists who use media (newspapers, television, and radio) as platforms for artworks, and artist collectives in the US, explored through an open archive gathered specifically for this exhibition.

Originally Working Alternatives was designed to be the backdrop for our first annual fundraiser, but Franklin Street Works is postponing that event until the spring so the indoor/outdoor extravaganza will coincide with warmer weather and have less proximity to long-standing regional art events. If you saved the date for our fundraiser, however, don’t despair and keep it on your calendars – there is still a party! Working Alternatives will open on the same night, October 27, from 5 p.m. -8 p.m. with a free, public reception. The evening will include a lively performance of San Francisco artist Tom Marioni’s “Drinking Beer Sonata with 13 Players” where thirteen people will create music by blowing into beer bottles based on Marioni’s instructions.

For Working Alternatives, curators Mackenzie Schneider, Terri C Smith, and Jess Wilcox explore three threads of alternative art platforms and production: conviviality and food as components in alternative art space programming and mission (Wilcox); artists using media such as radio, television, and newspapers as alternative venues for presenting work (Schneider); and artist collectives presented in a living archive with weekly changing exhibitions using archive materials (Smith). In addition to historical examples, the exhibition also includes original artworks by contemporary artists that reflect and expand on the showʼs themes. Working Alternatives’ artists include: Paul Branca, Jaime Davidovich, ESP TV, Group Material, Ann Hirsch, Tom Marioni, Anna Ostoya, Legacy Russell, Chris Sollars and Jerome Waag. Franklin Street Works is also excited to collaborate on several off-site artworks, including the live radio broadcast of an Ann Hirsch performance on WPKN, Bridgeport, and collages by Anna Ostoya in the Stamford Advocate via four, monthly ads during the show’s run. 

 

Guilford Art Center's Artistry Holiday Sale of Fine American Craft

Guilford Art Center's annual Artistry Holiday Sale of Fine American Craft features handmade works by more than 300 artists from across America, including pottery, jewelry, glass, fiber, ornaments, accessories, toys, specialty foods and more. New works are added throughout the course of the event, encouraging visitors to return to find one-of-a-kind finds. Support American artists, the arts, and small businesses.

 

Brookfield Craft Center Holiday Exhibition

Brookfield Craft Center’s 37th Annual Holiday Exhibition will feature an extraordinary collection of contemporary American craft for the holidays: handmade works by more than 140 selected artists in jewelry, wearable fiber, ceramics, toys, glass, wood, paper and steel. All purchases benefit the Craft Center’s education programs, and provide support for independent artists. This Holiday sale will kick off with a Special Members only preview November 2nd. Consider becoming a member today. For more information on membership for Gallery hours please visit brookfieldcraft.org or call 203-775-4526. 

 

 

 

JUDITH RANDALL DE GRAFFENRIED, “DIVERGING PROCESSES”

In Pegasus Gallery

 November 16, 2012—January 3, 2013

 Reception on Thursday, November 29th, 4 p.m.-5:30 p.m.

Judith Randall De Graffenried’s painting process considers the varying degrees of analytical, emotional, sensual and spiritual human sensibilities.  In watercolor works like “Resort City,” pictorial plays of space and compositional juxtapositions create a multilayered series of visually charged settings.  In other works painted in oil, figure model session poses are adapted into invented backgrounds.

            Judith de Graffenried is associate professor of fine arts/graphic design and program coordinator at Middlesex Community College. She earned a B.A.at the University of South Carolina, an M.A.T. at the University of South Carolina, and an M.F.A. at City University of New York.  She also attended a year-long painting program at the Art Academy of Munich, Germany and studied art at Queens College and Indiana University. She has exhibited her paintings in more than 50 national juried exhibitions and received awards at: Maryland Federation of Art, (2008, 2005) The Montpelier Center for Arts & Education, Montpelier, VA (2008, 2006), Strathmore Award for Excellence, “Rocky Mountain National Watermedia Exhibition”, Golden, CO (1995). 
 

Pegasus Gallery is located within the library on the first floor of Chapman Hall

Hours: Monday - Thursday 8 a.m.-8 p.m., Friday 8 a.m.-4:30 p.m. and Saturday 9 a.m.-2 p.m., when classes are in session. 

 

For more information please contact:

Matthew Weber, Art Curator

860.343.5806, mweber@mxcc.commnet.edu

http://www.mxcc.commnet.edu/Content/Art_Exhibits.asp

 

 

KATHLEEN SUMPTER, “A TEA PARTY”

In the Niche
 
November 16, 2012—January 3, 2013
Reception on Thursday, November 29th, 4 p.m.-5:30 p.m. in Pegasus Gallery
 
                Kathleen Sumpter’s, A Tea Party is a series of glazed and painted ceramic cups, teapots and tea party food.  These are functional and sculptural works that emphasize the whimsical and fanciful character of their handmade origins.  Vessels like “Queen Bee Teapot,” transcend its utilitarian tradition through color, pattern and ornament as a harmonious union of grass, sky and swarming bees. Sumpter’s forms inhabit the intimate space of the mind and activate associations with the world of play, the nature and delicacy.
 
          Since 2004, Sumpter has owned and operated Sumpter Design Middlefield, CT and is an adjunct instructor of digital arts at Middlesex Community College.   She earned her B.F.A. at the University of Connecticut and has received numerous EdPress Design Awards (1993, 1994, 1995, 1996, 1997, 1998), the Weekly Reader President’s Award for Excellence (1995) and Young’s Printing Calendar Contest, Middletown (2003).
   
The Niche is located in Founders Hall across from the Registrar’s Office.
Hours: Monday's through Thursday's 8 a.m.-6 p.m.  
Friday's and Saturday's 8 a.m.-4 p.m.

 

     

For more information please contact:
Matthew Weber, Art Curator
http://www.mxcc.commnet.edu/Content/Art_Exhibits.asp

 

 

Lung Cancer Symposium for Patient and their Families

Please join us for information on the diagnosis and treatment of lung cancer, for Lung Cancer Awareness Month.

Free parking available in Air Rights Garage on the 4th floor. Please call

888-700-6543, press option 2, or visit ynhh.org/events to register.

 

"Six Points" by Chava Light

Chava Light's work investigates contemporary Jewish identity, addressing the juxtaposition of tradition and modern life.

Born and raised in New Haven, Chava Light is a painter, illustrator, cartoonist, and graphic designer. Her work is regularly featured in The Algemeiner and Chabad.org. She teaches at Paier College of Art. www.chavastudios.com

 

 

Silvermine Arts Center - Exhibit

Susan White:  “Picture Perfect”

The 1950’s are considered by many to be the "perfect decade" of American history, when everything was “right” and America was at its “best” – a nostalgic posture that denies the truth.  The artists oversized graphite drawings are taken from black & white photographs in which the viewer can experience the subtext behind the smiles.