Tuesday, October 9 2012
Join us on Tuesday nights for free swing lessons & dancing at Sidebar!
7:30 - 8 pm Beginner Lesson
8 - 10:30pm Dancing
$3 suggested donation
No partner or experience necessary! For more info or to sign up for our weekly updates on where to dance in CT, contact us at email@example.com.
Hartford Underground is a non-profit organization which promotes vintage swing dancing and has been preserving lindy hop, charleston, balboa, & blues in Hartford since 2007. Check out our website, www.hartfordunderground.com, for additional info.
A support group for parents or primary caregivers of children with behavioral, emotional and/or mental health issues.
The exhibit uses historic photographs, artifacts, and first-hand accounts to explore 260 years of Cornwall’s relationship with its forests, showing how and why the town transformed from forest to farm and back to forest. The exhibit will also explore changing attitudes about the forest, from the 18th century view of woods as a source of timber to more recent concepts of the forest as a setting for recreation and as a vital ecosystem.
In the Rio Grande River Valley of central New Mexico and eastern Arizona, the Pueblos, a people spread over 19 communities, continue to practice their ancient art of pottery-making. Descendents of the Anasazi, the Pueblo People, still use the traditional coiling methods and decorative patterns that have distinguished their work for centuries..
This exhibit compares and contrasts the unique style of each Pueblo community and highlights individual artists who have shaped this timeless craft.
The museum is open Monday through Saturday from 10:00am - 5:00pm* and Sunday 12:00pm to 5:00pm * *Last admission 4:30pm
Lecture & Book Signing: Lincoln’s Hundred Days
Tuesday, October 9 7pm
Members: Free; Non-members: $5. For more information visit our website or register online at http://events.constantcontact.com/register/event?llr=wefd8ddab&oeidk=a07e61xqom9f2b846be Registration ends at noon on the day of the lecture.
Louis Masur’s latest book, Lincoln’s Hundred Days: The Emancipation Proclamation and the War for the Union is the first book to examine the critical period and the important changes between the preliminary Emancipation Proclamation in September, 1862 and the final document issued on January 1, 1863. In those tumultuous hundred days, and as battlefield deaths mounted, debate over the war and slavery raged. Masur employs vast primary sources to portray the daily struggles and enormous consequences of the president’s efforts as Lincoln led a nation through war and toward emancipation. A book signing will follow the lecture.
Matthew Garrett extracts his imagery from unremarkable environments, isolating the visual murmurs of our surroundings. The images themselves don’t rest in one place--or on one thought--as they bounce from the slightly cryptic, to the strictly abstract and over to the plainly beautiful, before returning to more vernacular descriptions in which things are exactly as they appear to be.
Gerald Saladyga sees landscape painting not as a romantic representation of the past, but as an ongoing inspiration from an ever-changing environment. His current series of landscapes began in 2008 and culminated in 2012 with a present a view of the planet as a cartoon of itself, perhaps too real to be funny or too unreal to be taken seriously.
A new series of work reflecting the uncertainty, vulnerability and hope for restoring today’s cultural climate in 2- and 3-D media. The series title also alludes to the artists family name before it was Anglicized in the early 1900’s to better fit into American society. Close examination reveals hints of lace designs in her artwork, an emblem of a long-held family business.
GALLERY HOURS: Wednesday – Saturday: 12 p.m. – 5 p.m.; Sunday: 1 p.m. – 5 p.m.
September 23rd through November 3rd, 2012
In the ongoing celebration of our 90th year, the historical exhibition will highlight selections of works from the founding members of Silvermine Arts Center. Included in the exhibition will be works by such artists as Daniel Putnam Brinley, Solon Borglum, Berhard Gutmann, Howard L. Hildebrandt, Murray McKay, Addison Miller and Charles Rieffel.
DATE: September 23rd through November 3rd, 2012
GALLERY HOURS: Wednesday – Saturday: 12 p.m. – 5 p.m.; Sunday: 1 p.m. – 5 p.m.
The Arts Council of Greater New Haven presents an exhibition of works by Connecticut artists Joan Fitzsimmons, Laura Barr, Alexis Neider, Barbara Marks, and Lisa Hess Hesselgrave.
The exhibition will take place at Katalina’s cupcake shop at 74 Whitney Avenue, New Haven, and will be on display from September 10th until November 2nd, 2012. Katalina’s is open to the public during business hours, Monday to Friday, 8:30 a.m. to 7 p.m., and Saturday from 9 a.m. to 6 p.m.
An artists’ reception is scheduled for Tuesday, September 18, from 5 to 7 p.m. The public is invited to attend. Refreshments and light appetizers will be served, including cupcakes, of course!
The exhibit will feature artwork that revolves around the theme of food, including colorful and playful paintings of indulgent breakfasts and black and white photographs of emptied glasses. The exhibition, curated by our Director of Artistic Services & Programs, Debbie Hesse, brings together all the abundance and the lack that the theme summons within all of us, roughly three times a day.
This exhibition will also complement the Arts Paper’s September issue “The Art of Food,” which will highlight local culinary talent, delve into international eating trends, discuss food documentaries, and goes behind-the-scenes in the article “The Ballet of Service.”
For more information about this exhibition and the Arts Paper, call the Arts Council at (203) 772-2788. High-resolution images are available upon request.
The Arts Council of Greater New Haven, publisher of The Arts Paper, is a regional nonprofit arts agency that provides leadership to and advocates for member artists and arts organizations and connects them to one another, to audiences, and to the Greater New Haven community. Visit the Arts Council online at newhavenarts.org.
Starting this fall, the New Haven Museum will present a lecture series entitled “Heroes & Villains,” exploring the stories behind some of the most important historical figures in the history of Greater New Haven. The lecture series will continue through 2013 as the New Haven Museum celebrates its 150th and the City of New Haven’s 375th anniversary. All lectures begin at 6:30 p.m. Lectures will be accompanied by book signings, and copies of each speaker’s books will be available for sale. All lectures are free and open to the public.
On Tuesday, October 9, Fred Calabretta will discuss how the War of 1812 shattered the lives of Connecticut citizens. Focusing on the experiences of Connecticut’s participants and witnesses, this talk will reveal how the war upset lives in every town, especially those along the coast, interfering with business activity and home life alike, and the lasting effects on Connecticut and the nation that the conflict left behind. Fred Calabretta is Curator of Collections and Oral Historian at Mystic Seaport Museum. He has also served as curator for a number of exhibitions, including The Rockets’ Red Glare: Connecticut and the War of 1812, which is currently on view at the Lyman Allyn Art Museum in New London. Fred is also a contributing author to the exhibition’s companion book and has authored two other books and a number of published articles and essays.
The New Haven Museum, founded in 1862 as the New Haven Colony Historical Society, is located in downtown New Haven at 114 Whitney Avenue. For more information, contact Michelle Cheng, Director of Education, at (203) 562-4183 ext. 11 or firstname.lastname@example.org.
In today’s anarchic media flux, governments and traditional media empires have lost much of their power to dictate what we see and believe. This erosion is the subject of Paul Qaysi’s recent work in which he scavenges, cuts, pastes and animates digital images from a variety of sources, interrogating the production of authority and truth.
The Arab Spring uprisings flared up with the aid of digital technologies and social media. Investigating these historic events in “Actual Dots,” Qaysi recycles, connects and dismantles official images of recently overthrown dictators. Portrait stills captured from YouTube are reduced to dot screens. The screens shift and dots enlarge, evoking newspapers, bullet holes and abstract painting. The more close-up the images of these corrupt leaders, the more meaningless they become. As the photos disintegrate, the floating dots form moiré patterns that briefly resemble Islamic tile designs, and we hear a multi-track sound collage of passionate crowds. By making a shorter version of the videos available for download as a screen saver, Qaysi invites viewers to look closer, participate and even celebrate in the corruption of these official images.
In “Drawdown,” an official photo of armed U.S. marines exiting a destroyed building, the soldiers slowly melt before our eyes in animated layers–but the ruins behind them remain. Digitally isolating the soldiers, Qaysi animated a single frame. Primed by video games and film on how to react to this type of image, we expect sudden violence, but Qaysi elects a slow-burning approach that gives viewers time to think, time we usually do not spend before a single photo of this kind.
Attuned to temporal questions, Qaysi investigates the speed of world events, and our understanding of them and their long-term effects. He incites viewers to consider how we receive the news, what we choose to view, and the blurry line between information and entertainment.
Paul Qaysi was born in 1963 in Baghdad, Iraq, and lives and works in Brooklyn, NY. He received his B.F.A. in sculpture from Pratt Institute in Brooklyn, NY and M.F.A. in Program in Advanced Photographic Studies from Bard College-International Center of Photography in New York, NY. Exhibitions include Rita K. Hillman Education Gallery, ICP, New York (2012); Frankfurter Kunstverein, Frankfurt, Germany (2012); Rita K. Hillman Education Gallery, ICP, New York (2010); DUMBO Arts Festival, New York (2010); JGS Forward Thinking Museum, location?, (2009); 25 CPW Gallery, New York (2009); ICP-Bard MFA Studio, Long Island City, NY (2009); and Rita K. Hillman Education Gallery, ICP, New York (2009).
Pegasus Gallery is located within the library on the first floor of Chapman Hall
Screen time schedule will be posted and updated at: http://www.mxcc.commnet.edu/Content/PAUL_QAYSI_A_SEA_OF_PATTERNS.asp
The Niche is located in Founders Hall across from the Registrar’s Office.
Hours: Mondays- Thursdays 8:30am-6pm & Fridays 8:30am-4pm.
For more information please contact:
Matthew Weber, Art Curator
An official selection of the 2011 Sundance Film Festival, Miss Representation has also aired on OWN: the Oprah Winfrey Network and looks into modern media – critically evaluating the portrayal of women in film, advertising and leadership roles. Written and directed by Jennifer Siebel Newsom, the documentary is shaped by stories from teenage girls, interviews with women in leadership positions, video clips, advertisements and the latest statistics. The film includes comments from noted leaders such as Condoleezza Rice, Nancy Pelosi, Katie Couric, Rachel Maddow, Margaret Cho and Gloria Steinem, who will offer the audience a new perspective on what being a woman in power truly means.
This monthly 45-minute program for children 22 months to four years old, who are accompanied by an adult, may include stories, activities, crafts, and live animals. This session is entitled “Not So Scary.” Pre-registration is required by calling 203-394-6563. The cost is $10 for Zoo members and one child, and $15 for non-members and one child.
Newington Mainstage will hold open auditions for their spring production of BIG RIVER on Tuesday, October 9th and Monday, October 15th, from 7 p.m-9:30 p.m, both evenings.
BIG RIVER will play April 26-28, 2013 at the Newington Town Hall. Rehearsals will begin the first week of March 2013.