Thursday, October 4 2012

Format: 2014/07/26

Thursday, October 4 2012

"Out of the Woods - the Story of Cornwall's Forests"

 The exhibit uses historic photographs, artifacts, and first-hand accounts to explore 260 years of Cornwall’s relationship with its forests, showing how and why the town transformed from forest to farm and back to forest. The exhibit will also explore changing attitudes about the forest, from the 18th century view of woods as a source of timber to more recent concepts of the forest as a setting for recreation and as a vital ecosystem.

 

Lisbon Farmers Market

The Inaugural season of the Lisbon Farmers Market will kick-off on Thursday June 28, from 3:30pm until 6:30 pm on the grounds of the Lisbon Community Center (The Barn). It is located a tenth of a mile south of the Lisbon Town Hall on Burnham Highway (Route 169). It will run every Thursday evening through early October. The Lisbon Farmers Market will have a variety of vendors offering fresh, locally grown produce, eggs, meat, honey and dairy products as well as a variety of artisans selling quality hand-crafted items. Lisbon resident Donna Harris will be the Market Master. Please plan to stop by the Lisbon Farmers Market to help support our local farmers and pick up some fresh Connecticut grown products for your family. If you would like information on becoming a vendor, please contact Donna Harris at 860-608-2050,email info@lisbonfarmersmarket.com or visit us on Facebook.

 

Pueblo Pottery; Stories in Clay Exhibit

In the Rio Grande River Valley of central New Mexico and eastern Arizona, the Pueblos, a people spread over 19 communities, continue to practice their ancient art of pottery-making.  Descendents of the Anasazi, the Pueblo People, still use the traditional coiling methods and decorative patterns that have distinguished their work for centuries..

This exhibit compares and contrasts the unique style of each Pueblo community and highlights individual artists who have shaped this timeless craft.

 The museum is open Monday through Saturday from 10:00am - 5:00pm* and Sunday 12:00pm to 5:00pm *      *Last admission 4:30pm

 

 

Partner Program: MouseMuse presents Working for the Man

Partner Program: MouseMuse presents Working for the Man

Thursday, October 4 7-9:30pm

$20. Tickets available for purchase online at http://www.mousemuse.com/about-us/mouse-events/event/working-for-the-man/

 

MouseMuse presents a spellbinding evening featuring true ten-minute tales told by local storytellers on the struggle for freedom. From McJobs to CEO our freedoms are often about liking what you do and getting paid. It doesn't matter if you're a waitress who wants to be a star, or a business owner with irritable clients, the "Man" (or woman) who issues your checks are in charge.

 

Matthew Garrett: Recent Photographs & Gerald Saladyga: Landscapes 2008 – 2012

Matthew Garrett extracts his imagery from unremarkable environments, isolating the visual murmurs of our surroundings. The images themselves don’t rest in one place--or on one thought--as they bounce from the slightly cryptic, to the strictly abstract and over to the plainly beautiful, before returning to more vernacular descriptions in which things are exactly as they appear to be.

Gerald Saladyga sees landscape painting not as a romantic representation of the past, but as an ongoing inspiration from an ever-changing environment. His current series of landscapes began in 2008 and culminated in 2012 with a present a view of the planet as a cartoon of itself, perhaps too real to be funny or too unreal to be taken seriously.

 

An eclectic mix of new exhibits to open at Silvermine Arts Center in September

A new series of work reflecting the uncertainty, vulnerability and hope for restoring today’s cultural climate in 2- and 3-D media.  The series title also alludes to the artists family name before it was Anglicized in the early 1900’s to better fit into American society.  Close examination reveals hints of lace designs in her artwork, an emblem of a long-held family business.

GALLERY HOURS: Wednesday – Saturday: 12 p.m. – 5 p.m.; Sunday: 1 p.m. – 5 p.m.

September 23rd through November 3rd, 2012

 

 

“The Knockers Club: A Silvermine Beginning”

In the ongoing celebration of our 90th year, the historical exhibition will highlight selections of works from the founding members of Silvermine Arts Center.  Included in the exhibition will be works by such artists as Daniel Putnam Brinley, Solon Borglum, Berhard Gutmann, Howard L. Hildebrandt, Murray McKay, Addison Miller and Charles Rieffel.

DATE:      September 23rd through November 3rd, 2012

GALLERY HOURS: Wednesday – Saturday: 12 p.m. – 5 p.m.; Sunday: 1 p.m. – 5 p.m.

 

Five Course Meal

The Arts Council of Greater New Haven presents an exhibition of works by Connecticut artists Joan Fitzsimmons, Laura Barr, Alexis Neider, Barbara Marks, and Lisa Hess Hesselgrave.

 

The exhibition will take place at Katalina’s cupcake shop at 74 Whitney Avenue, New Haven, and will be on display from September 10th until November 2nd, 2012. Katalina’s is open to the public during business hours, Monday to Friday, 8:30 a.m. to 7 p.m., and Saturday from 9 a.m. to 6 p.m.  

 

An artists’ reception is scheduled for Tuesday, September 18, from 5 to 7 p.m. The public is invited to attend. Refreshments and light appetizers will be served, including cupcakes, of course!

 

The exhibit will feature artwork that revolves around the theme of food, including colorful and playful paintings of indulgent breakfasts and black and white photographs of emptied glasses. The exhibition, curated by our Director of Artistic Services & Programs, Debbie Hesse, brings together all the abundance and the lack that the theme summons within all of us, roughly three times a day.

 

This exhibition will also complement the Arts Paper’s September issue “The Art of Food,” which will highlight local culinary talent, delve into international eating trends, discuss food documentaries, and goes behind-the-scenes in the article “The Ballet of Service.”

 

For more information about this exhibition and the Arts Paper, call the Arts Council at (203) 772-2788. High-resolution images are available upon request.

 

The Arts Council of Greater New Haven, publisher of The Arts Paper, is a regional nonprofit arts agency that provides leadership to and advocates for member artists and arts organizations and connects them to one another, to audiences, and to the Greater New Haven community. Visit the Arts Council online at newhavenarts.org.

 

 

Night: (1947 -2015) A Sculpture-in-Residence Program

Featuring first sculpture in residence: Ken Price, Doola (2011) On view September 22 – November 30, 2012

Open Thursday – Monday, 9:30 a.m.–5:30 p.m.

Tickets start at $30, including tour of the site.
 

 

Job Fair!

All-Star Driver will be holding a job fair on October 4 from 2 p.m.– 6:30 p.m. at their Norwalk location. Driving instructors needed. Work for the industry leader! Tremendous growth opportunities for a dynamic self-starter with a passion for education. Clean driving record & drug test req’d. E-mail resume to jobs@all-stardriver.com or attend the fair!

 

Paul Qaysi, “A Sea of Patterns”

In today’s anarchic media flux, governments and traditional media empires have lost much of their power to dictate what we see and believe.  This erosion is the subject of Paul Qaysi’s recent work in which he scavenges, cuts, pastes and animates digital images from a variety of sources, interrogating the production of authority and truth.

The Arab Spring uprisings flared up with the aid of digital technologies and social media.  Investigating these historic events in “Actual Dots,” Qaysi recycles, connects and dismantles official images of recently overthrown dictators. Portrait stills captured from YouTube are reduced to dot screens. The screens shift and dots enlarge, evoking newspapers, bullet holes and abstract painting. The more close-up the images of these corrupt leaders, the more meaningless they become. As the photos disintegrate, the floating dots form moiré patterns that briefly resemble Islamic tile designs, and we hear a multi-track sound collage of passionate crowds. By making a shorter version of the videos available for download as a screen saver, Qaysi invites viewers to look closer, participate and even celebrate in the corruption of these official images.

In “Drawdown,” an official photo of armed U.S. marines exiting a destroyed building, the soldiers slowly melt before our eyes in animated layers–but the ruins behind them remain. Digitally isolating the soldiers, Qaysi animated a single frame. Primed by video games and film on how to react to this type of image, we expect sudden violence, but Qaysi elects a slow-burning approach that gives viewers time to think, time we usually do not spend before a single photo of this kind.

Attuned to temporal questions, Qaysi investigates the speed of world events, and our understanding of them and their long-term effects. He incites viewers to consider how we receive the news, what we choose to view, and the blurry line between information and entertainment.

Paul Qaysi was born in 1963 in Baghdad, Iraq, and lives and works in Brooklyn, NY. He received his B.F.A. in sculpture from Pratt Institute in Brooklyn, NY and M.F.A. in Program in Advanced Photographic Studies from Bard College-International Center of Photography in New York, NY. Exhibitions include Rita K. Hillman Education Gallery, ICP, New York (2012); Frankfurter Kunstverein, Frankfurt, Germany (2012); Rita K. Hillman Education Gallery, ICP, New York (2010); DUMBO Arts Festival, New York (2010); JGS Forward Thinking Museum, location?, (2009); 25 CPW Gallery, New York (2009); ICP-Bard MFA Studio, Long Island City, NY (2009); and Rita K. Hillman Education Gallery, ICP, New York (2009).

Pegasus Gallery is located within the library on the first floor of Chapman Hall

Screen time schedule will be posted and updated at: http://www.mxcc.commnet.edu/Content/PAUL_QAYSI_A_SEA_OF_PATTERNS.asp

The Niche is located in Founders Hall across from the Registrar’s Office.

Hours: Mondays- Thursdays 8:30am-6pm & Fridays 8:30am-4pm.

For more information please contact:

Matthew Weber, Art Curator

860.343.5806, mweber@mxcc.edu

http://www.mxcc.commnet.edu/Content/Art_Exhibits.asp

 

 

Impressionist Salon Workshop

Popular in 18th and 19th century France, a “salon” was a gathering of people under the roof of an inspiring host held to amuse one another and increase knowledge through conversation and painting.

 
The Darien Arts Center, with a bold cry of vive le France, brings this idea to modern day Darien with the introduction of two Impressionist Salon Evenings to be held in October.
 
Hosted by artist and DAC teacher Vicki French Smith, attendees can spend one or both evenings in the DAC’s spacious Visual Arts Studio amongst friends new and old.  The casual and creative environment will be alive with good conversation, good food, and the excellent company of friends and neighbors. As the night progresses, participants of all skill levels will learn, practice, and enhance painting skills with Vicki’s demonstration and step by step instruction, creating paintings inspired by Monet himself.
 
All art materials and a catered supper will be provided with registration. Guests are invited to bring a beverage of choice. The class costs $100 for both evenings, or $60 for just one; October 4 and 11, 7 p.m.-10 p.m. Email anne@darienarts.org or call the DAC office at 203-655-8683 to sign up.
 

The University of Saint Joseph presents the 2012 Annual Religious Studies Lecture - Michael J. Baxter, Ph.D.

Who should Catholics vote for? Where does the Church stand? These are the questions that flood newspapers, radio, and blogs during an election year. In this lecture, Dr. Michael Baxter, visiting associate professor of Catholic Studies at DePaul University, argues that these questions should themselves be challenged and critically examined. He will advance a probing critique of the way that partisan politics have overtaken the life and mission of the Catholic Church in this country. Additionally, Dr. Baxter will offer an alternative of political community - one that is more traditional and radical than the conventional politics we encounter, and must endure, during national elections; one that reclaims our identities as Christians, Catholics, and resident aliens of the earthly city and modern empire we call "the United States of America."

 

Franklin Street Works Presents a Walk Through of VHS The Exhibition with the Franklin Street Works Team

Join Franklin Street Works on Thursday, October 4 from 6 p.m. – 7 p.m. for a guided tour of VHS The Exhibition, with Franklin Street Works’ Creative Director, Terri C Smith, and Gallery Manager, Sandrine Milet. This conversational walk through will answer questions related to the exhibition and gives audiences the opportunity to discuss the show’s theme, it’s pop culture and contemporary art relevance, and how it fits within Franklin Street Works’ mission. Join us for a free public event and bring a friend and explore the current show with some of the folks closest to it, with post-tour cocktails in the café!

VHS The exhibition, curated by video specialist and writer Rebecca Cleman, is Franklin Street Works’ second guest curated show. The exhibition explores VHS as a tool and inspiration for artistic experimentation with a heavy dose of ephemera from the 80s analog culture, such as B horror movie posters and Max Headroom collectibles. Taking advantage of Franklin Street Works’ split-level architecture, Cleman juxtaposes observations from everyday domestic histories and art historical analysis of VHS consumption and artistic creation. Artists in the exhibition include Robert Beck, Sadie Benning, Dustin Guy Defa, James Fotopoulos and Trevor Shimizu. VHS The Exhibition is on view at Franklin Street Works through October 14.

About Rebecca Cleman:

Rebecca Cleman is the Director of Distribution of Electronic Arts Intermix (EAI), NY. She has programmed screenings for the New York Underground Film Festival, Light Industry, Anthology Film Archives, and the Migrating Forms Festival among other venues. In 2010 she co-curated the media content for Amnesia at Andrea Rosen Gallery. She has most recently organized two programs within the VHS series at the Museum of Art and Design, NY, and published an essay on the subject of horror movies and home video for the Moving Image Source. Cleman lives and works in NYC.