NPR Arts & Culture
Summer Movies: The Sweet, The Light And The Loud Trailer: 'Transformers: Revenge of the Fallen' Trailer: 'Harry Potter and the Half-Blood Prince' Trailer: 'The Hurt Locker' Trailer: 'Whatever Works' Trailer: 'Julie An
The summer-movie slate looks like a typically airheaded one, from Land of the Lost to the naughty new spoof Bruno. But fear not: We found a few dramas — even some foreign weepies — to help tide you over.
We ask the former drummer of the 1980s band The Police three questions about questionable tactics used by actual police.
What's possibly the nerdiest documentary ever made turns out to be one of the most inspiring, too. It's the inside story of the quest for a tiny, elusive particle of matter. (Recommended.)
It's time again for the show that people love to hate: the Whitney Biennial, an overview of American art. Critics often trash it, but as Karen Michel says, this year's showcase has a few surprises.
Bob Mondello looks at Wes Anderson's latest cinematic curiosity, The Grand Budapest Hotel.
Eric Deggans talks with author Jason Mott about the year's hottest book-to-TV translation, Resurrection. The series, a rare television show starring a black man, is based on Mott's book, The Returned.
Anthony Marra recommends Everything Flows by Vasily Grossman as a way to understand the events unfolding in Ukraine.
Screenwriter John Ridley won an Oscar for 12 Years A Slave, but he's being criticized for an old essay about black people. The barbershop guys give their own speeches on the topic.
Sound expert Julian Treasure says we are losing our listening in a louder world. He shares ways to re-tune our ears for conscious listening — to other people and the world around us.
Speech scientist Rupal Patel creates customized synthetic voices that enable people who can't speak to communicate in a unique voice that embodies their personality.
Artist Neil Harbisson was born completely color blind. But thanks to a device attached to his head, he can now "hear" color, which allows him to experience an element that was once invisible.
Wes Anderson's new feature takes place at a resort hotel, between World Wars I and II. Fresh Air's critic says the visuals are so witty they transcend camp, but the dialogue isn't quite at that level.
On this week's show, we dispense with the Oscars, dig deep into RuPaul's Drag Race, and offer some suggestions for when you're stuck on the couch for a while.
Also: The longlist is announced for the Baileys Women's Prize for Fiction; Anna Holmes on Scout Finch and Harriet the Spy; Teju Cole on reading.
With the release of her fifth novel, Boy, Snow, Bird, Helen Oyeyemi is growing out of the literary wunderkind label and into something richer and stranger. Annalisa Quinn has a profile.
Goodnight Songs is a compilation of formerly unpublished lullabies and poems by the author of Goodnight Moon, Margaret Wise Brown. Linda Wertheimer talks to Amy Gary, who discovered the new material.
Eugenio Mira's thriller Grand Piano doesn't hit all of its notes perfectly, but it's daringly written — and ultimately compelling.
Wes Anderson's eighth film, set primarily in a 1930s hotel, is just as stylish, precise, and nostalgic as his past films — and far funnier. (Recommended)
In a semi-sequel to 2006's 300, a naval battle between the Greeks and Persians gets the over-the-top CGI treatment.
Ed Walker fell in love with radio as a kid in the 1930s. Today, as the host of WAMU 88.5's beloved Sunday night show, he introduces a new generation to classic programs from the golden age of radio.